So, it seems like she likes to be among others, even if she forces herself out of social interaction, hence why she hangs around other people without talking to them. This rules out the potential of her being antisocial. That's fine though. You can then put that into saying that your character has forcibly withdrawn herself from social interaction for some reason, despite her longing for it. From what you said, it is likely that someone would have betrayed her.

That being said, she very well could by psychopathic. Looking at how others act, and silently analyzing their actions and what they did wrong, and she has the intent to expose those weaknesses.

Then, we go to her character: cold and bitter, with a sarcastic sense of humor. And underneath, there is a sensitive person under. Not an original idea, and one that occurs everywhere throughout media for one reason: It is very effective. Even though that type of character is not an out there character that blooms with originality, it is a very safe and fun choice for characters to be. Don't take that as an insult (I have plenty characters like that, because it is rather true to life). Characters with that have incredible depth, and even then, despite the idea being 'unoriginal' (just the basis of the character's personality, not the character itself), there are several nuances to be made to make your character deeper. So, in short, that personality you have chosen opens door for plenty of writing.

That, of course, then leads to how cold and bitter she is. Could she just be like that as a first means of defense (developed from her past), or is she really cold and it takes a lot to get her to show emotions? As an analogy, what kind of nut is she? Is she a peanut, with a thin shell, or a walnut with a thick shell? How easy is it for someone to get her to talk on a personal level? How hard is it to get her to cry?

Ah, and then this leads me to my next question: when you finally remove that shell, what is underneath? A happy person, a sad person? A demented person? Of what relevance is this to a story? Well, what's underneath that nutshell is who she is, and who she is has been shaped by her past. If she gets to be talkative and joyous after you get to talking to her, likely she just has trouble initiating social conversation (points at self), or if she gets all emotional, it is very likely that she has been scarred, and she is scared. From there, come up with a possible story from there. If she is evil and sick on the inside, either she is insane, or she must have some reason for being so, each with a story behind it.


I feel as if my character, Sola Auroron, is an anti-part to yours. In short, Sola is open and social among strangers, but she pushes people who try to be anything more than strangers to her. Your character seems to be opposite; wary among strangers, and close to friends. Sola left her family to go on her adventures and meet strangers and see the world. What is more likely that your character, if these two are opposites, is that yours likely loved her family, and was forced to leave for some reason (Dumner, eh, how about her family was killed by Akaviri invaders?) and now she's left, with her pent-up feelings.

Either way, from my experience in writing (nothing professional. Yet, at least ) I have found a strong female character with depth (for example: your planned character) to be incredibly easy and good to write in. Of course, this may bring to light: "I want to be different, and I want to write in a completely unique character". First, unique characters are hard to come by. A common saying is that there's nothing new under the Sun. Second, a niche character has a rather limited purpose/lifespan. An example of a niche character would be a fully optimistic character for whom the Sun never sets. Try adding depth to a character who always looks ahead and not behind. Pretty hard to do that. Of course, not impossible (Read A Doll's House for an example of this, but, of course, you will find out that the flat character is truly deep).

Of course, depth of character does not mean depth of story. Any story can have depth no matter the character cast. But an important thing for RP is depth of story, which is foremost. Take these works of literature as an example: Depth of story, but shallow characters (in my opinion) The Scarlet Letter, Depth of story and characters: Frankenstein. Neither: simple children's books (children cannot fully comprehend the implications behind advanced character development and story development). And, I should note it is rather difficult to get a deep character without a deep story.

Well, good luck in your endevours. I might see you around (I'm on NA PC, but usually play on AD).